Theatre Terrific pioneers inclusive opportunities for artists of all abilities to develop performance skills and collaborate in the production of theatrical works. Through its work, Theatre Terrific challenges audiences to be open to the impact of thought provoking art.Theatre Terrific pioneers inclusive opportunities for artists of all abilities to develop performance skills and collaborate in the production of theatrical works.
All of Theatre Terrific’s classes, workshops, community, and professional productions are made up of people of all colors, abilities, genders, and backgrounds. This means that at any given time, a cast or class may include people who may have mental health issues, developmental challenges, physical challenges, or simply practicing actors who want to learn new methods of inclusive theatre development.
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Theatre Terrific is Western Canada’s longest running inclusive theatre company, established in 1985. It has undergone numerous transformations through the decades. Presently, the company operates out of an office in the Woodwards Heritage Building at 111 Hasting Street in Vancouver, centrally the company serves as a portal into professional theatre performance for artists of all abilities. What this means is that those who may have difficulties fitting into the curriculum or requirements of a post-secondary theatre school can find rigorous, risky and demanding voice, movement and ensemble theatre work with Theatre Terrific. Regular classes and workshops are led by practicing professionals throughout the Lower Mainland and also provincially in Kelowna, Powell River, Prince George and beyond. The company has also produced over fourteen Vancouver Fringe Festival productions and two large cast site-specific works. These productions serve as a conduit for those wishing to pursue professional work. Also the work explored in these inclusive collaborative theatre works brings to light innovative processes, methods and means that would otherwise never find expression in traditional theatre practice. That said, Theatre Terrific has developed a reputation for its demanding and yet accessible inclusive cast production.
Theatre Terrific has produced professional productions that address a wide swath of universal issues; often with tongue in cheek, song, surreal set-up and never a straight paved road but rather the bumpy risky goat trail. Topics have encompassed everything from sex, to myth, to belief systems, to unique friendships and families. Performances have taken place throughout the Lower Mainland, in local theatre setting, parks, on the street, province wide, and as far as Warwick, England.
Nightswimming Pure Research Award, 2011
to Susanna Uchatius and James Coomber under the banner of Theatre Terrific by Nightswimming, Toronto and SFU School for Contemporary Arts in order to support inclusive voice exploration. The subsequent online publication of Experiencing Sprechgesang – Theatre’s Forgotten Instrument online at Nightswimming: Pure Research Archive.
Inclusion Through Innovation Award, 2013
Celebrating diversity, innovation, equality and accessibility in Metro Vancouver BC was awarded to Artistic Director Susanna Uchatius for the inclusive theatre practice lived and produced by Theatre Terrific.
EGNI’S EYE, 2014
Professional production was chosen by the School of Theatre, Performance and Cultural Policy Studies, University of Warwick for scene presentation at the International Federation of Theatre Research International Conference.
Jessie Nomination, 2016
Theatre Terrific - NOW Representation and Inclusion Award – For persistent and ongoing commitment to inclusive casting and creative processes. One of five finalists.
Susanna Uchatius has worked for over 35 years directing, writing, acting and teaching theatre. Her theatre BFA is from SFU School for Contemporary Arts, voice at the Banff Centre for the Arts with Richard Armstrong, the UBC National Voice Intensive, and work with Anne Bogart of Siti Theatre NY to name a few. She is an Equity, CAEA member and also a member of IFTR (International Federation of Theatre Research). Susanna has been the Artistic Director of Theatre Terrific, Western Canada’s longest running inclusive theatre company for artists of all abilities in Vancouver, since 2005. She has written, directed and collaboratively developed over 22 professional, community and site-specific productions. She has pioneered an accessible respectful, rigorous and risk-taking theatre ensemble process, that collaboratively includes Equity and emerging actors of all abilities in the creation of high quality productions that take on universal human issues. Professional productions include, Naked Oranges, doGs, Dirty White, The Secret Son, The Glass Box, Egni’s Eye, I Love Mondays, HELLO and Being With: ELDERS. Vancouver Fringe Festival productions include All Sorts, Waiting for Go., Slowrunning, workin’,Ugly, Wordwear, Pantaloon’s Pawnshop, A Truck Full of Chickens, Portraits, Stuffed, Breath-Ahhh and also site specific works with large puppetry such as BEING ANIMAL and Hidden Stories; which were also performed in the Heart of the City Festival. Partnering with Vancouver Parks Board, Susanna collaboratively directed and wrote the large cast site specific musical works The Bread Project and WATER. She directed the groundbreaking DTES Opera Condemned for the Heart of the City Festival. She received the Nightswimming Pure Research Award for voice exploration, Metro Vancouver Inclusion Through Innovation Award and the company was nominated for a Jessie for Vancouver NOW 2016 “For persistent and ongoing commitment to inclusive casting and creative processes.” Theatre Terrific’s professional production of The Glass Box was published in Playwrights Canada Press and scenes from Egni’s Eye were juried to perform in the School of Theatre, Performance and Cultural Policy Studies at the University of Warwick. Susanna continues to collaboratively create inclusive theatre that supports the voices, unique perceptions and stories of humanity in all it’s diverse mosaic wonder.
Bill Beauregarde is a Cree/Métis/ artist from the Encock Nation who has been a practicing theatre artist and technician since his youth. His technical skills include creative set design, detailed mask making in multiple forms, puppet construction and engineering, First Nations drum making, woodcarving skills and teaching in clown, stilt walking and mask. He was based in Alberta, with Green Fools Theatre working on many productions including Dancing on Water and ISIS: to name a couple. He also worked as set designer/technical /puppet creator for Old Trout Puppets Co. touring Famous Puppet Death Scenes. He did technical and set design for numerous companies including the Alberta Ballet’s The Nutcracker, Alberta Lyric Theatre’s flagship production Love According to John at the Northern Alberta Jubilee Auditorium and many other’s such as: Edmonton Opera, Loose Moose Theatre Company, Alberta Theatre Projects, Stage West Theatre, the Cirque Du Soleil, Ghost River Theatre to name a few.
He has studied with Jacques Lecoq at Ecole nationale de cirque in Montreal and Dean Bearham in Calgary. He moved to Vancouver from Calgary Alberta in 2011 and since then has worked with Heart of the City Festival, Theatre Terrific in set design and puppet construction along with applying his talent as Coordinator of cultural and community programs for the Aboriginal Front Door Society in Vancouver.
Patti Palm has been involved in Greater Vancouver's Music and Theatre Communities for over 40 plus years. A seasoned Entertainer with Multi-genre talents, Patti sings Folk/Roots, Irish ballads, Choral, Musical Theatre, World, and Inspirational Music. She is a founding member of Brian Tate's City Soul Choir and fronts her Jazz Band, the Patti Palm Trio.
With Theatre Terrific, Patti has appeared in: Breath-Ahhh, The Hidden Stories Project, Stuff, Pantaloon's Pawnshop, Water, A Truck Full of Chickens, and The Bread Project. She has additionally assisted with a variety of production and technical tasks including Set Construction, Painting, Costumes, Properties, and Transportation. Patti continues to teach Music at Theatre Terrific as part of a number of Theatre Terrific's inclusive classes available to the Greater Vancouver Community.
Patti has two Associate of Arts (Douglas College and SFU), a BA in English with a Minor in Environmental Science (SFU), and a PDP (Education, SFU). As a Life Long Learner, Patti is currently working on a Diploma in Jazz and Contemporary Voice with a Classical Voice Minor (Vancouver Community College)
Julia was born and is currently living as a theatre maker on unceded Coast Salish Territories. She holds a BA in Acting from the University of Wales and works primarily as an actor, director and producer. As a performer she has worked with companies such as Pacific Theatre, Arts Club Theatre, Firehall Arts Centre, The Cultch, Alley Theatre, Rumble Theatre (48-Hour Crockpot), Peninsula Productions and Classic Chic Productions. She has directed/assistant directed for The Only Animal, Pacific Theatre, Peninsula Productions, Classic Chic Productions, The King Matt Theatre, and other independent productions. Julia is the volunteer coordinator for the Talking Stick Festival, was a Young Ambassador for the PuSh International Performing Arts Festival, and community liaison for MACHiNENOISY Dance Society’s PROX:IMITY RE:MIX, a multi-media dance project for queer youth. In 2017, she participated in Talking Treaties with Jumblies Theatre in Tkaronto, deepening her passion for arts rooted in community building. She recently worked with Vancouver Moving Theatre on a BC Arts Council Early Career Development grant, assisting Rosemary Georgeson with community engagement on their Jessie Richardson Award nominated Weaving Reconciliation: Our Way tour, and developing several of her own projects including Unsettled, for which she recently received a Canada Council for the Arts Research and Creation Grant and a Community Resilience Through the Arts grant from the province of BC. Julia has translated several works from her mother tongue Polish, to English. She often works with the Vancouver Polish Theatre as a translator, director, consultant, actor, and playwright. She is currently co-creating a tri-lingual show for young audiences with collaborator Kanon Hewitt, commissioned by Toronto Young People’s Theatre, Leaps and Bounds initiative.
Angelo has been practicing and exploring the techniques of Theatre of the Oppressed (TO) for 15 years, and trained with Theatre for Living. He studied classical theatre at UNAM University, Mexico City, 2008. Angelo has adapted the techniques of TO for children focusing on social skills and creative expression; including, working with the mentally diverse and the visually impaired communities. He has given extensive workshops in Mexico City and Vancouver - facilitating TO to kids, teens, adults/seniors and Newcomers living Canada at Neighbourhood Houses, Community Centers, and with a variety of Universities and organizations; which include, Amnesty International, UBC and SFU. As an actor/performer/musician he has collaborated with an array of theatre, modern dance and performance artists and companies in Mexico and in Vancouver. He also has credits as a musician/composer in 6 CD productions of Jazzorca Records. He has co-designed a children's program that focuses social skills, problem solving and creative expression at Kitshouse. Plus, he currently collaborates with Theatre Terrific as a musician/composer. He is also the founder and Artistic Director of SITE Theatre, and has presented original work at the Vancouver Fringe Festival (2017), Museum of Anthropology, UBC (2017) and the Vancouver Art Gallery North Plaza (2018).Plus, Angelo has finished his studies in Addictions Counselling (VCC, 2018). Lastly, he continues giving Theatre of the Oppressed workshops to help community members find solutions to difficult social issues. Burnaby Family Life (April/Sept. 2018), Cross Border Conference (2018).
Kate was born and raised in England where she attended college and Leeds University, graduating in Arts and Education. After teaching English and Drama in Birmingham, she immigrated to Canada in 1966. In Canada she worked for the Burnaby School board, teaching people with disabilities, which inspired her to further her education at UBC in special education. In the early 1970’s shetravelled abroad to teach in Germany and Greece, returning to Vancouver in 1976. Until her retirement, Kate worked on a pilot project that she created to integrate students with special needs into mainstream schools. Kate has a son who is a keen participating member of Theatre Terrific, and together they have been involved with the organization for over 15 years. During that time she has served on the board of directors and has been involved in multiple fundraising projects, but now brings her commitment to, and passion for, Theatre Terrific and it’s mandate to her position as chairperson of the board.
Bill has been involved in music for much of his life. He performed in the orchestra for several productions in greater Vancouver and still finds time to write his own music for the piano. Although drawn to the performing arts, Bill focused his attention on business and technology and currently works full time as technologist while studying for his MBA at Royal Roads University. Bill brings both his love of thearts, and his business experience, to help face the challenges of running an arts organization. Having been involved with Theatre Terrific since 2014, Bill remains as committed and excited as ever to contribute to the growth and sustainability of this wonderful organization.
Agnes Choy is a Chartered Professional Accountant who has worked with small to medium size businesses in the past 20 years. She takes pride in her track record of reliability and integrity throughout her career. In addition to offering her expertise in Finance and Accounting as a Financial Controller; her leadership role lends her in guiding and overseeing numerous Accounting and Operational systems integration and implementation projects to their successful on-time, on-budget completion. Agnes has been well recognized by her colleagues and direct reports as an outstanding team player and mentor. Outside of her professional career, she finds personal fulfillment in volunteering her time with diverse groups and cultures.
Suzette Costello – Realtor – Joined 2014
Licensed BC realtor since 1990 to date.
Vancouver SunRun volunteer Leader since 1996 to date.
Immigrated to Canada in 1974 from the Philippines.
Youla Thomas is a creative and visionary community leader who has the ability to rally people together and successfully complete projects. She has enjoyed working as Business Development Manager for many years and is known in the business community as a Community Connector. Her strength is to efficiently carry out the leadership role of several network groups and the Semiahmoo Seniors Planning Table where she worked with volunteers, private and government stakeholders.
Youla lives in Ladner with her husband and two daughters, where she is an active volunteer in several capacities. Currently, Youla is a proud volunteer with Delta Hospital Auxiliary Society where she volunteers with the Thrift Store, is the Vendor Program Manager and also works as Communication Assistant with the Auxiliary.
To her credit is also her passionate drive to raise awareness and much needed funds for the Alzheimer Society and she is currently the Chair for IG Wealth Management Walk For Alzheimer’s South Delta – 2019. Youla brings with her a lot of energy and innovative ideas for fundraising projects and building new connections for Theatre Terrific and is keen to help to see it grow.
Carol is thrilled to be working with the passionate artists at Theatre Terrific. Carol works as a teacher in the Vancouver School District, working in a pilot program for inclusive education. Prior to this position, Carol was a drama teacher in a fine arts mini school for more than a decade. Some highlights from her drama days were co-directing and co-producing The Laramie Project, Cabaret and Much Ado About Nothing among the 30 or more productions that she facilitated. Carol has a BFA from York University, a BEd from UBC and a MA in theatre production from Central Washington University. Carol often works in community theatre in many different roles from acting, to stage managing, to directing and producing. Carol is proud of her work with the Dalai Lama Center for Peace and Education. She has produced and/or stage managed Dialogues with His Holiness, the Dalai Lama three times now.